Thursday, 17 December 2009

Joe McElderry vs Rage Against The Machine

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A veritable storm has been brewing in the charts this week, and it's all down to The X Factor and a Facebook group.
A few weeks before the winner of this years X Factor was announced, a group popped up on Facebook entitled "RAGE AGAINST THE MACHINE FOR CHRISTMAS NO.1", urging people to buy the bands song 'Killing in The Name' the same week as the X Factor winners single is released, in an attempt to get ‘Rage’ to the top spot in the charts for Christmas instead of the winner of the singing competition (a winner voted for by the public).
Last week the winner of The X Factor was announced as 18 year old Joe McElderry, from South Shields, Tyneside. After going largely unnoticed throughout the early stages of the competition, Joe proved to be the dark horse and, after consistently outsinging his rivals on the show, was eventually announced as the winner of the one million pound record deal.
The point of the Rage Against The Machine Facebook protest is, according to its founders, to prevent The X Factor from claiming its 5th consecutive Christmas number one and undermine the predictability of the current Christmas number one race.
Many members of the protest group have said that buying Rage Against The Machine instead of the X Factor winners single gives power back to the people, and proves that we don’t all have to buy what we are told to by corporations and people like Simon Cowell. Which makes no sense whatsoever. The X Factor is voted for by the public, and it is the public who decide who wins. No one forces those members of the public to watch the show. No one forces those members of the public to vote. And no one forces them to buy the winners single. What the group has failed to take in to account is that, whilst many people look down on pop music or reality tv, a lot of people enjoy it, and will buy Joe’s single not because anyone is telling them to, but because they want to. If people don’t like the show, they don’t watch it. If they don’t like the winners song, they don’t buy it. It doesn’t seem to have crossed the group’s mind that the reason the X Factor winners single gets to number one every year is because people like the show, and it is those people who chose the winner, and it is those people who go out and but the single. Not because anyone makes them, but because they want to.
The biggest problem with the protest though, in my opinion, is that, actually, The X Factor won’t be at all affected by the protest. Next year, The X Factor will return the same way it always does. It will dominate Saturday (and now Sunday) night viewing for months in the run up to the final, and when the winner is announced they will release a single and will, as usual, be hot favourite to scoop Christmas number one. The show itself and the way it works will be in no way affected by whether McElderry or Rage Against The Machine hit the top spot this year.
The Facebook group also claims that it is not aimed at Simon Cowell personally, which is lucky for them, as Rage Against The Machine happen to be signed to Epic, a subsidiary of Sony Records. Know what other label is a subsidiary of Sony Records? Syco, the label owned and run by Simon Cowell and the label which will release McElderry’s, and any further X Factor winners, singles. So, Simon Cowell benefits either way.
So, who exactly IS going to be affected by this protest?

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One of my biggest problems with the protest is the fact that the only person who will be at all affected by it is 18 year old Joe McElderry. Being the first X Factor winner not to reach number one with his debut single sets a pretty bad precedent for the rest of his career. X Factor contestants are generally expected to fade in to obscurity after a couple of years anyway, but having this hanging over his head gives him even less chance of people ever taking him seriously. I think it's quite sad, as Joe always came across as such a nice person on the show and it seems a shame that the slim chance he had of a successful career as a singer is being cut even shorter by a group of people, many of whom have admitted not paying any attention to the charts any other time, who have chosen to make some sort of 'stand' against people with different tastes to them at the expense of what seems to be a very sweet kid. And let's not forget, Joe won The X Factor for a reason: he's a very good singer, and whilst his single isn't going to change the world it's a perfectly enjoyable song, which for a lot of people is enough.
So, if you don’t like Joe’s single, don’t buy it. But don’t jump on the bandwagon and ruin it for those of us that do enjoy The X Factor and want to see people we have come to care about do well.

Updates

I don't use this blog nearly as much as I should, but I'm going to attempt to change that. Watch this space...

Wednesday, 9 September 2009

The Cheryl Cole single: a retraction.

It's definitely a grower.

Tuesday, 8 September 2009

Brand new Brand New album 'Daisy' has leaked

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I've made no secret of the fact that the follow-up to 2006's 'The Devil and God are Raging Inside Me' has been my most anticipated album this year, so there's really no point in me pretending that I haven't already downloaded this and listened to it non-stop.
'Daisy' is exactly what I had hoped it would be: it's loud, exciting, experimental, emotional and exhilarating (alliteration non-intentional, I suddenly had a mind block on all words not beginning with the letter 'e').
Album opener 'Vices' begins with an archive recording of a woman singing an old hymn, before punching you full in the face with a seriously heavy guitar riff and lots of screaming. It's certainly an effective way to set the tone.
'Bed' is definitely this album's 'Jesus Christ', and probably the best track on it. A complete departure from the opener, this track is more mellow and sung in the soft, whispery voice Jesse Lacey first showcased on second album 'Deja Entendu'.
Other highlights include first single 'At The Bottom', 'Bought a Bride' and the title track. There's also the wonderful 'Be Gone' which really shows how far the band have come in thier willingness to experiment; the lyrics seem to play backwards over the music.
Overall, it's not as big a departure from 'The Devil and God...' as that album was from 'Deja Entendu', but that's probably for the best. As the old saying goes "If it aint broke...".

Brand New play Wembley Arena January 23rd. For tickets go to: Seetickets

'Daisy' is released September 21st in the UK (22nd in the US). Pre-order through Play.com here: Daisy Pre-order
(You can probably find a link to the leaked version fairly easily but if you do I suggest buying it through official channels too. It's worth it).

Sorry about the crap pun in the title by the way. I couldn't help myself.

So here's the Cheryl Cole debut solo single



Sadly, I'm not keen.
It doesn't even sound like her half of the time, and the chorus is a tad repetitive. However, I like the bit near the end where the backing music (me displaying my encyclopedic knowledge of musical terms there) falls away for the bridge before crashing back in for the chorus (something whch was done to perfection earlier this year on Jordin Sparks' incredible single 'Battlefield').
Cheryl was one of the members of Girls Aloud I was last interested in hearing solo (along with Sarah and Kim), and this single has done nothing to change my opinion.
Overall: 6/10. Call me when Nicola releases something solo.

Friday, 26 June 2009

Michael Jackson has died at age 50

Whatever people thought of him as a person, no one could deny that Michael Jackson was one of, if not the, greatest musical icons of all time. This is very sad news.

Michael Jackson at his very best:



RIP.

Saturday, 16 May 2009

Pet Shop Boys 'Did You See Me Coming?' video



Here's the new Pet Shop Boys video for 'Did You See Me Coming?'.
It's fine. That's about all there is to say really.

Tuesday, 12 May 2009

The Killers 'A Dustland Fairytale' live on Letterman



A couple of weeks ago The Killers confirmed that the third singles from their latest album 'Day & Age' would be 'The World We Live In' for us in the UK, and 'A Dustland Fairytale' in the US. Why they chose to release different singles for both conuntries I have no idea, but I really hope they release 'A Dustland Fairytale' as the fourth UK single, just so we get some performances like this one (though that would mean not releasing 'Neon Tiger' at all. Maybe they can do 5 singles from this album?).
I always look forward to bands I like performing on Letterman and this didn't disappoint. The backing orchestra was a nice touch, and though Brandon Flowers vocals can sometimes be a little patchy live he seems to have improved a Hell of a lot for the live performances from this album, making this a really great performance of one of my favourite songs from 'Day & Age'.

Thursday, 7 May 2009

Girls Aloud aren't so 'Untouchable'

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'Untouchable', Girls Aloud's 21st single, has become the first of their career to miss out on a spot in the Top 10. It has already been advertisied in both the programmes for their current 'Out Of Control' arena tour and in the advertising for their limited edition singles boxset that 'Untouchable' would be their 21st Top 10 hit. This, I think, is part one of the problem 'Untouchable' had.
Fascination, Girls Aloud's record label, seemed convinced that 'Untouchable' would go Top 10 no matter what. Whether they believed that it would scrape its way in based on the girls loyal fan base who wouldn't want to see the Top 10 run broken, or simply because it's a great song (and really, it is), is unclear but the problem is that they became complacent. They assumed it would go Top 10 no matter what, so no promotion was done for it. Besides one performance of the song on Dancing On Ice more than a month before it was released there have been no TV performances of the song to help it make its way in to the public consciousness. Had I not been a huge Girls Aloud fan, as well as a user of the Popjustice forums, I wouldn't have even known 'Untouchable' was out last week. Fascination needed to realise that even when dealing with a group as huge as Girls Aloud, there's no point in expecting a single to go Top 10 when no one even knows it's been released.
Part two of the problem was the song itself. 'Untouchable' is an incredible song, there's no doubting that, but to release it as the follow up single to 'The Loving Kind' was a big mistake, in my opinion. The tone of these two songs is too similar; they're both kind-of-ballads-but-kind-of-not, fairly melancholic and quite frankly, too grown up. They don't have the same sense of fun as previous singles such as 'Love Machine' and 'Long Hot Summer', and whilst that would have been fine for one single it was foolish to release this kind of single twice in a row. If you ask me 'Love Is The Key' would have been the perfect third single from 'Out Of Control'.
I'm sure this will be written off as just a blip, and when they return after their break next year their come-back single will undoubtedly be billed as the '21st Top 10 single', just not the 21st consecutive one, and 'Untouchable' will be all but forgotten. This is a huge shame though. 'Untouchable' didn't deserve this, and had it never been released as a single it could have remained an epic fan favourite as it appears on the album.

Wednesday, 25 March 2009

Girls Aloud 'Untouchable' video



So the new Girls Aloud video for 'Untouchable' premiered tonight, and whilst the video itself is okay I'm very unhappy with what they've done to the song.
For those that don't know, the original version of 'Untouchable', which can be found on the girls newest album 'Out Of Control', is rather lenghty for a pop song hoping to get major radio play without the DJs getting bored and talking over the last 2 minutes, clocking in at just over 6 and a half minutes. When it was announced as the follow up single to the wonderful 'The Loving Kind' it was obvious there would be a radio edit of some kind, despite protests from Popjustice.
All they needed to do was make it a little shorter for the radio, that was all.
Now we discover that for some reason they have not only made it shorter but added vocoder effects to the vocals and given some of Nicola's parts to Sarah!
There was no need for any of this, so I urge thse of you who have only heard the single edit to track down the album version and bask in its true glory.

Monday, 9 March 2009

Testing, 1... 2... 3...

Pet Shop Boys "Love etc"


Enjoy the amazing new Pet Shop Boys single, 'Love Etc' whilst I attempt to work embedding from Myspace Video.

Edit: It worked! How marvellous. Must have just been The Killers 'Spaceman' video that didn't want to work. Still not entirely sure why though.

Shockwaves NME Awards winners

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I'm about two weeks late with this and therefore completely irrelevent, but the Shockwaves NME Awards took place at Brixton Academy on February 25th, with the winners including Muse, MGMT, The Killers, Oasis and Kings Of Leon.
Girls Aloud didn't win anything, in fact they weren't even nominated for anything, but Sarah and Nicola showed up to the event, Nicola looking flawless as ever and Sarah making a disgrace of herself, as ever.
A few of the awards went to the people I'd hoped, though the fact that Oasis managed to win Best British Band only to be booed by those in attendance proved that not all of the winners were necessarily popular, or deserving.

The full list of winners, then:

Best British Band: Oasis (I'd slated Muse to pick this one up).

Best International Band: The Killers (Glad they won this after walking away from the BRIT's empty handed).

Best New Band: MGMT

Best Live Band: Muse (Did anyone else really stand a chance?)

Best Solo Artist: Pete Doherty (As the man himself pointed out afterwards, he hasn't even released any solo material yet!)

Best Album: Kings of Leon Only By The Night

Best Track: MGMT "Time To Pretend"

Best Video: Last Shadow Puppets "My Mistakes Were Made For You"

Best DVD: Arctic Monkeys At the Apollo

Best Album Artwork: Muse HAARP

Best Venue: London Astoria

Best Live Event: Glastonbury

Best Blog: Noel Gallagher

Best TV Show: The Mighty Boosh

Best Dressed: Alexa Chung

Worst Dressed: Amy Winehouse

Godlike Genius: The Cure

Outstanding Contribution to British Music: Elbow

Hero of the Year: Barack Obama

Villain of the Year: George W. Bush

Worst Band & Worst Album: Jonas Brothers

Sexiest Male: Matt Bellamy

Sexiest Female: Hayley Williams

Best Website: YouTube

Philip Hall Radar Award: The Big Pink

Now, I'm not suggesting that readers of the NME might actually like Disney sponsored pop-rockers The Jonas Brothers, but giving them awards for both Worst Band and Worst Album seems a little odd. It'd be like the Nickelodeon Kids Choice Awards announcing Radiohead as their worst band. The Jonas Brothers are so far removed from the world of the NME, it doesn't make sense to me that they were even nominated. I would have liked to see who NME readers thought to be the worst band in the 'indie' world, instead of picking a group I doubt even enter the consciousness of most NME readers most days.
I think I'll choose to ignore the selection of Muse's Matt Bellamy as Sexiest Male over the beautiful Keith Murray of We Are Scientists.